Cambridge History of the Gothic 3 Volume Hardback Set
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portes grátis
Cambridge History of the Gothic 3 Volume Hardback Set
Three-volume set
Wright, Angela; Spooner, Catherine; Townshend, Dale
Cambridge University Press
10/2021
1800
Inglês
9781108662017
15 a 20 dias
3180
Descrição não disponível.
Volume 1. Gothic in the Long Eighteenth Century: Introduction: the gothic in/and history; 1. The Goths in ancient history; 2. The term 'gothic' in the Long Eighteenth Century, 1680-1800; 3. The literary gothic before Horace Walpole's The Castle of Otranto; 4. Gothic revival architecture before Horace Walpole's Strawberry Hill ; 5. Horace Walpole and the gothic; 6. Shakespeare's gothic transmigrations; 7. Reassessing the gothic / classical relationship; 8. 'A world of bad spirits': the terrors of eighteenth-century empire; 9. In their blood: the eighteenth-century gothic stage; 10. Domestic gothic writing after Horace Walpole and before Ann Radcliffe; 11. Early British gothic and the American Revolution; 12. Gothic and the French Revolution, 1789-1804; 13. The aesthetics of terror and horror: a genealogy; 14. Ann Radcliffe and Matthew Lewis; 15. The gothic novel beyond Radcliffe and Lewis; 16. Oriental gothic: imperial-commercial nightmares from the eighteenth century to the Romantic period; 17. The German 'school' of horrors: a pharmacology of the gothic; 18. Gothic and the history of sexuality; 19. Gothic art and gothic culture in the Romantic era; 20. Time in the gothic; Volume 2. Gothic in the Nineteenth Century; Introduction; 1. Gothic romanticism and the summer of 1816; 2. Fantasmagoriana: The cosmopolitan gothic and Frankenstein; 3. The mutation of the vampire in nineteenth-century gothic; 4. From romantic gothic to Victorian medievalism: 1817 and 1877; 5. Nineteenth-century gothic architectural aesthetics: A. W. N. Pugin, John Ruskin and William Morris; 6. Gothic fiction, from shilling shockers to penny bloods; 7. The theatrical gothic in the nineteenth century; 8. 'Specterology': gothic showmanship in nineteenth-century popular shows and media; 9. The gothic in Victorian poetry; 10. The genesis of the Victorian ghost story; 11. Charles dickens and the gothic; 12. Victorian domestic gothic fiction; 13. The gothic in nineteenth-century Spain; 14. The gothic in nineteenth-century Italy; 15. The gothic in nineteenth-century Scotland; 16. The gothic in nineteenth-century Ireland; 17. The gothic in nineteenth-century America; 18. Nineteenth-century British and American gothic and the history of slavery; 19. Genealogies of monstrosity: Darwin, the biology of crime and nineteenth-century British gothic literature; 20. Gothic and the coming of the railways; 21. Gothic imperialism at the fin de siecle; Volume 3. Gothic in the Twentieth and Twenty-First Centuries; Introduction: A history of gothic studies in the twentieth and twenty-first centuries; 1. Gothic and silent cinema; 2. Gothic, the great war and the rise of modernism, 1910-1936; 3. Gothic and the American south, 1919-1962; 4. Hollywood gothic, 1930-1960; 5. Gothic and war, 1930-91; 6. Gothic and the postcolonial moment; 7. Gothic and the heritage movement in the twentieth and twenty-first centuries; 8. Gothic enchantment: The magical strain in twentieth- and twenty-first-century Anglo-American gothic; 9. Psychoanalysis and the American popular gothic, 1954-1980; 10. Gothic and the counterculture, 1958-Present; 11. Gothic television; 12. Gothic and the rise of feminism; 13. Gothic, AIDS and sexuality, 1981-present; 14. The gothic in the age of neo-liberalism, 1990-present; 15. The gothic and remix culture; 16. Postdigital gothic; 17. Gothic multiculturalism; 18. Gothic, neo-imperialism and the war on terror; 19. Global gothic 1: Islamic gothic; 20. Global gothic 2: East Asian gothic; 21. Global gothic 3: Gothic in modern Scandinavia; 22. The 'Bad Oikos': Gothic in an age of environmental crisis; 23. Gothic and the apocalyptic imagination.
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Volume 1. Gothic in the Long Eighteenth Century: Introduction: the gothic in/and history; 1. The Goths in ancient history; 2. The term 'gothic' in the Long Eighteenth Century, 1680-1800; 3. The literary gothic before Horace Walpole's The Castle of Otranto; 4. Gothic revival architecture before Horace Walpole's Strawberry Hill ; 5. Horace Walpole and the gothic; 6. Shakespeare's gothic transmigrations; 7. Reassessing the gothic / classical relationship; 8. 'A world of bad spirits': the terrors of eighteenth-century empire; 9. In their blood: the eighteenth-century gothic stage; 10. Domestic gothic writing after Horace Walpole and before Ann Radcliffe; 11. Early British gothic and the American Revolution; 12. Gothic and the French Revolution, 1789-1804; 13. The aesthetics of terror and horror: a genealogy; 14. Ann Radcliffe and Matthew Lewis; 15. The gothic novel beyond Radcliffe and Lewis; 16. Oriental gothic: imperial-commercial nightmares from the eighteenth century to the Romantic period; 17. The German 'school' of horrors: a pharmacology of the gothic; 18. Gothic and the history of sexuality; 19. Gothic art and gothic culture in the Romantic era; 20. Time in the gothic; Volume 2. Gothic in the Nineteenth Century; Introduction; 1. Gothic romanticism and the summer of 1816; 2. Fantasmagoriana: The cosmopolitan gothic and Frankenstein; 3. The mutation of the vampire in nineteenth-century gothic; 4. From romantic gothic to Victorian medievalism: 1817 and 1877; 5. Nineteenth-century gothic architectural aesthetics: A. W. N. Pugin, John Ruskin and William Morris; 6. Gothic fiction, from shilling shockers to penny bloods; 7. The theatrical gothic in the nineteenth century; 8. 'Specterology': gothic showmanship in nineteenth-century popular shows and media; 9. The gothic in Victorian poetry; 10. The genesis of the Victorian ghost story; 11. Charles dickens and the gothic; 12. Victorian domestic gothic fiction; 13. The gothic in nineteenth-century Spain; 14. The gothic in nineteenth-century Italy; 15. The gothic in nineteenth-century Scotland; 16. The gothic in nineteenth-century Ireland; 17. The gothic in nineteenth-century America; 18. Nineteenth-century British and American gothic and the history of slavery; 19. Genealogies of monstrosity: Darwin, the biology of crime and nineteenth-century British gothic literature; 20. Gothic and the coming of the railways; 21. Gothic imperialism at the fin de siecle; Volume 3. Gothic in the Twentieth and Twenty-First Centuries; Introduction: A history of gothic studies in the twentieth and twenty-first centuries; 1. Gothic and silent cinema; 2. Gothic, the great war and the rise of modernism, 1910-1936; 3. Gothic and the American south, 1919-1962; 4. Hollywood gothic, 1930-1960; 5. Gothic and war, 1930-91; 6. Gothic and the postcolonial moment; 7. Gothic and the heritage movement in the twentieth and twenty-first centuries; 8. Gothic enchantment: The magical strain in twentieth- and twenty-first-century Anglo-American gothic; 9. Psychoanalysis and the American popular gothic, 1954-1980; 10. Gothic and the counterculture, 1958-Present; 11. Gothic television; 12. Gothic and the rise of feminism; 13. Gothic, AIDS and sexuality, 1981-present; 14. The gothic in the age of neo-liberalism, 1990-present; 15. The gothic and remix culture; 16. Postdigital gothic; 17. Gothic multiculturalism; 18. Gothic, neo-imperialism and the war on terror; 19. Global gothic 1: Islamic gothic; 20. Global gothic 2: East Asian gothic; 21. Global gothic 3: Gothic in modern Scandinavia; 22. The 'Bad Oikos': Gothic in an age of environmental crisis; 23. Gothic and the apocalyptic imagination.
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